Friday, 29 April 2011

"Beauty" and "The Beast"

Angela Carter's The Courtship of Mr Lyon and The Tiger's Bride are both based on the fairy tale of The Beauty and the Beast.
Influences/other:
Carter translated Charles Perrault's stories as well as Marquis de Sade (after whom sadism was named)

x Cupid and Psyche (2nd century AD)
similar to: perseus and andromeda, st george
CUPID = The Body
Son of Venus
Bow + arrow
(gold tipped = love, lead tipped = hate)
A blind cupid symbolically means a purely lust based relationship

PSYCHE = The Soul
Two older sisters - i.e. Psyche is "The youngest"

The Plot:
  1. A beast savages the country
  2. Tie out psyche as a sacrifice to the beast to stop it + save country
  3. Cupid flies past and is like DAYM GURL Dat ass... and picks her up to his castle made of clouds (because hes cupid and he can do that kind of thing) (did I mention he's invisible)
  4. Psyche cared for by all the invisible servants that cupid happens to have in his awesome cloud castle
  5. Every night Cupid comes back and makes rampant love to cupid, she's pretty happy, but she never actually gets to see Cupid.
  6. Psyche misses her family, who sacrificed her, and so he gives her a magic mirror with which to see them, and shes like, boy this isn't the same, and hes like yeh cool and smashes back her family into the castle.
  7. Her sisters proceed to make fun of the dainty psyche because she cant see the guy, and they're like omg he must be well uggers to hide himself from you! and she like proper believes them and gets well scared.
  8. So in the night he's sleeping next to her and shes like BOOM BRING OUT A CANDLE AND SEE HIM and hes like ahh cause she spills some wax on him and the castle disappears because his mum is not pleased at all!
  9. Psyche is like hey venus I quite like your son really, can I still go out with him I like him a lot. Venus is like no you can't, get off. Well, unless you can do all these crazy trials like.. sand split from rice etc
  10. Psyche makes lots of animal friends which help her and eventually she finishes all of the trials and she becomes immortal and live happily ever after.

Also another
  1. A knight rapes young girl, the girl gets the knight condemned to death.
  2. The Queen suggests that she punish him instead
  3. Her challenge is that he has a year and a day to discover what women most want, if he gets it wrong she'll get his head chopped off.
  4. So the guy's walking around and gets all kinds of answers, and one day he sees a fairy circle and goes over to investigate
  5. the fairy circle turns into an old well uggers woman, who turns out to know exactly what women want, for a favour, she tells him.
  6. He goes back to the queen and tells her it is "POWER" (by which they have freedom)
  7. So the old woman comes in and is like- yeah my favour is that you marry me
  8. He gets into bed with her and cant get it up, and she mocks him, he says its cause youre pretty ugly and old and poor.
  9. She says old = wise, hes only rich because of his ancestors and ugly = ill not be raped or unfaithful
  10. Shes magic so shes like do you want me to be ugly and faithful or beautiful and unfaithful and hes like you can choose my love
  11. and shes like well ill be beautiful AND faithful then!

Monday, 12 April 2010

Eve of St Agness ~

Title - St Agness = the patron saint of virgins

Characters:
Beadsman = A man of prayer, who is paid to pray for the soul of another.

La Belle Dame Sans Merci ~

Title: French for: "The beautiful woman without mercy/pity"

Written in 1819 (same context as Mariner)


"“La Belle Dame sans Merci,” written in 1819 and published the next year in a form slightly different from the one here, depicts a knight-at-arms who has been seduced and abandoned by a capricious fairy. Told in the form of a dialogue, the poem recounts the experience of loving dangerously and fully, of remaining loyal to that love despite warnings to the contrary, and of suffering the living death of one who has glimpsed immortality. At the beginning and end of the poem, the knight remains on “a cold hill’s side,” a world devoid of happiness or beauty, waiting for his love to return. Some readers maintain that the poem is really about Keats’s confused feelings for Fanny Brawne, his fiancĂ©e, to whom Keats could not commit fully. Others claim the story is symbolic of the plight of the artist, who, having “fallen in love” with beauty, can never fully accept the mundane. Either way, the conclusion is the same: however self-destructive intense love may be, the lover has little choice in the matter. Further, the more one entertains feelings of beauty and love, the more desolate and more painful the world becomes."

Published version of La Belle Dame Sans Merci, 1820

Ah, what can ail thee, wretched wight,
Alone and palely loitering;
The sedge is wither'd from the lake,
And no birds sing.

Ah, what can ail thee, wretched wight,
So haggard and so woe-begone?
The squirrel's granary is full,
And the harvest's done.

I see a lily on thy brow,
With anguish moist and fever dew;
And on thy cheek a fading rose
Fast withereth too.

I met a lady in the meads
Full beautiful, a faery's child;
Her hair was long, her foot was light,
And her eyes were wild.

I set her on my pacing steed,
And nothing else saw all day long;
For sideways would she lean, and sing
A faery's song.

I made a garland for her head,
And bracelets too, and fragrant zone;
She look'd at me as she did love,
And made sweet moan.

She found me roots of relish sweet,
And honey wild, and manna dew;
And sure in language strange she said,
I love thee true.

She took me to her elfin grot,
And there she gaz'd and sighed deep,
And there I shut her wild sad eyes--
So kiss'd to sleep.

And there we slumber'd on the moss,
And there I dream'd, ah woe betide,
The latest dream I ever dream'd
On the cold hill side.

I saw pale kings, and princes too,
Pale warriors, death-pale were they all;
Who cry'd--"La belle Dame sans merci
Hath thee in thrall!"

I saw their starv'd lips in the gloam
With horrid warning gaped wide,
And I awoke, and found me here
On the cold hill side.

And this is why I sojourn here
Alone and palely loitering,
Though the sedge is wither'd from the lake,
And no birds sing.

Lamia ~

John Keates
1819

Title/Name - Lamia (ancient greek mythology) A beautiful women who became a child eating daemon (because Zeus' wife killed all her children with him), literally means shark in greek. Succubi or Vampires = Seduced young men a sucked their blood, as she seduces young Lycius (foreshadowing). The madness, or Hera's (Zeus' wife) rage caused her to look serpentine.
Keates found his information on Lamia from the book Anatomy of Melancholy by Robert Burton.

Names:
Lycius: The name of the sons of several Greek mythical gods. (Highlights his youth)


The Curious Incident of the Dog in the Nighttime ~

2003 - Mark Haddon - Swindon (allows foreshadow of London being a scary place in comparison to dull Swindon)

First person perspective: A lot of dramatic irony for audience as Chris doesn't understand things the audience does, allows for audience to gain a new perspective on every day life and appreciate averageness

Title - Childish, overly interested in being precise signifies asperges. Shows reference to Sherlock Holmes' story, again aspergic, foreshadows a murder allows for twist that it was a dog killed not what audience expects. Also sets up classical "murder mystery" stereotypes of genre in audiences head, to be challenged as well as Chris values dogs over humans against and challenging socially accepted standards and perceived stereotypes (postmodern)

Small set of characters (3 0f which are animals) shows the small relative social interest and knowledge Chris has, none of the characters are his own age, nor does he have interest in characters of his own age.

~Tobecontinued~


Great Gatsby ~

Was released in 1925 - What happened in 1920's

Roaring Twenties

Jazz Age

Flappers (increasing feminine freedom, disregard for social norms, lax on sexual attitudes, Suffragettes)

-Increasingly Good Economy (Materialism, capitalism, modernism)

-Alcohol Banned


Full text

Rhyme of the Ancient Mariner ~

Usefull stuff:
- 1797–98. Science gaining influence, reducing religiousness. Romanticism rebelled against this.
- English writer, industrial revoloution during 18th century


It is an ancient Mariner,
And he stoppeth one of three.
(He stops one wedding guest out of three)
`By thy long grey beard and
glittering eye,
Now wherefore stopp'st thou me?
(Why have you stopped me, scary tramp?)

The bridegroom's doors are opened wide,
And I am next of kin;
The guests are met, the feast is set:
Mayst hear the merry din.'
(Please let me get to the wedding, I'm related and everything is ready)

He holds him with his
skinny hand,
"There was a ship," quoth he.
(The mariner starting to talk, crazily)
`Hold off! unhand me, grey-beard loon!'
(GTFO)
Eftsoons his hand dropped he.
(Soon after, he let go)

He holds him with his
glittering eye -
(instead of holding him physically he holds him with a look in his eye)
The Wedding-Guest stood still,
And listens like a three years' child:
The Mariner hath his will.
(The guests listened like children, just as the Mariner wanted)

The Wedding-Guest sat on a stone:
He cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.
(Almost as if the mariner has them in a trance)

"The ship was cheered, the harbour cleared,
Merrily did we drop
Below the kirk, below the hill,
Below the lighthouse top.
(A kind of innocence, excitement and ignorance of a child going to the zoo, a harmless bit of fun in store)

The sun came up upon the left,
(The sun rises in the east, if it is on the left that means that they are going south, on this occasion I feel it symbolically means Adventure)
Out of the sea came he!
(Personification of the sun)
And he shone bright, and on the right
Went down into the sea.
(Shows a long time passes with little happening)

Higher and higher every day,
(Getting closer to the equator)
Till over the mast at noon -"
The Wedding-Guest here beat his breast,
For he heard the loud bassoon.
(Bringing back the audience to 'reality', so as to remind the audience that it is a story within a story)

The bride hath paced into the hall,
Red as a rose is she;
Nodding their heads before her goes
The merry minstrelsy.
(The beautiful bride, redness, music, I feel it makes the audience aware of time, how they are small and that more than one important event can happen)

The Wedding-Guest he beat his breast,
Yet he cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.
(Audience in a trance, little they can do even in frustration)

"And now the storm-blast came, and he
Was tyrannous and strong:
He struck with his o'ertaking wings,
And chased us south along.
(A confusing introduction back into the mariner's story, helps show Mariner's delirium + confusion at sudden storm)

With sloping masts and dipping prow,
(Worrying change from normality, foreshadows sinking ship) BRB
As who pursued with yell and blow
Still treads the shadow of his foe,
And foward bends his head,
The ship drove fast, loud roared the blast,
And southward aye we fled.

And now there came both mist and snow,
And it grew wondrous cold:
And ice, mast-high, came floating by,
As green as emerald.

And through the drifts the snowy clifts
Did send a dismal sheen:
Nor shapes of men nor beasts we ken -
The ice was all between.

The ice was here, the ice was there,
The ice was all around:
It cracked and growled, and roared and howled,
Like noises in a swound!

At length did cross an Albatross,
Thorough the fog it came;
As it had been a Christian soul,
We hailed it in God's name.

It ate the food it ne'er had eat,
And round and round it flew.
The ice did split with a thunder-fit;
The helmsman steered us through!

And a good south wind sprung up behind;
The Albatross did follow,
And every day, for food or play,
Came to the mariner's hollo!

In mist or cloud, on mast or shroud,
It perched for vespers nine;
Whiles all the night, through fog-smoke white,
Glimmered the white moonshine."

`God save thee, ancient Mariner,
From the fiends that plague thee thus! -
Why look'st thou so?' -"With my crossbow
I shot the Albatross."


Part II

"The sun now rose upon the right:
Out of the sea came he,
Still hid in mist, and on the left
Went down into the sea.

And the good south wind still blew behind,
But no sweet bird did follow,
Nor any day for food or play
Came to the mariners' hollo!

And I had done a hellish thing,
And it would work 'em woe:
For all averred, I had killed the bird
That made the breeze to blow.
Ah wretch! said they, the bird to slay,
That made the breeze to blow!

Nor dim nor red, like God's own head,
The glorious sun uprist:
Then all averred, I had killed the bird
That brought the fog and mist.
'Twas right, said they, such birds to slay,
That bring the fog and mist.

The fair breeze blew, the white foam flew,
The furrow followed free;
We were the first that ever burst
Into that silent sea.

Down dropped the breeze, the sails dropped down,
'Twas sad as sad could be;
And we did speak only to break
The silence of the sea!

All in a hot and copper sky,
The bloody sun, at noon,
Right up above the mast did stand,
No bigger than the moon.

Day after day, day after day,
We stuck, nor breath nor motion;
As idle as a painted ship
Upon a painted ocean.

Water, water, every where,
And all the boards did shrink;
Water, water, every where,
Nor any drop to drink.

The very deep did rot: O Christ!
That ever this should be!
Yea, slimy things did crawl with legs
Upon the slimy sea.

About, about, in reel and rout
The death-fires danced at night;
The water, like a witch's oils,
Burnt green, and blue, and white.

And some in dreams assured were
Of the Spirit that plagued us so;
Nine fathom deep he had followed us
From the land of mist and snow.

And every tongue, through utter drought,
Was withered at the root;
We could not speak, no more than if
We had been choked with soot.

Ah! well-a-day! what evil looks
Had I from old and young!
Instead of the cross, the Albatross
About my neck was hung."


Part III

"There passed a weary time. Each throat
Was parched, and glazed each eye.
A weary time! a weary time!
How glazed each weary eye -
When looking westward, I beheld
A something in the sky.

At first it seemed a little speck,
And then it seemed a mist;
It moved and moved, and took at last
A certain shape, I wist.

A speck, a mist, a shape, I wist!
And still it neared and neared:
As if it dodged a water-sprite,
It plunged and tacked and veered.

With throats unslaked, with black lips baked,
We could nor laugh nor wail;
Through utter drought all dumb we stood!
I bit my arm, I sucked the blood,
And cried, A sail! a sail!

With throats unslaked, with black lips baked,
Agape they heard me call:
Gramercy! they for joy did grin,
And all at once their breath drew in,
As they were drinking all.

See! see! (I cried) she tacks no more!
Hither to work us weal;
Without a breeze, without a tide,
She steadies with upright keel!

The western wave was all a-flame,
The day was well nigh done!
Almost upon the western wave
Rested the broad bright sun;
When that strange shape drove suddenly
Betwixt us and the sun.

And straight the sun was flecked with bars,
(Heaven's Mother send us grace!)
As if through a dungeon-grate he peered
With broad and burning face.

Alas! (thought I, and my heart beat loud)
How fast she nears and nears!
Are those her sails that glance in the sun,
Like restless gossameres?

Are those her ribs through which the sun
Did peer, as through a grate?
And is that Woman all her crew?
Is that a Death? and are there two?
Is Death that Woman's mate?

Her lips were red, her looks were free,
Her locks were yellow as gold:
Her skin was as white as leprosy,
The Nightmare Life-in-Death was she,
Who thicks man's blood with cold.

The naked hulk alongside came,
And the twain were casting dice;
`The game is done! I've won! I've won!'
Quoth she, and whistles thrice.

The sun's rim dips; the stars rush out:
At one stride comes the dark;
With far-heard whisper o'er the sea,
Off shot the spectre-bark.

We listened and looked sideways up!
Fear at my heart, as at a cup,
My life-blood seemed to sip!
The stars were dim, and thick the night,
The steersman's face by his lamp gleamed white;
From the sails the dew did drip -
Till clomb above the eastern bar
The horned moon, with one bright star
Within the nether tip.

One after one, by the star-dogged moon,
Too quick for groan or sigh,
Each turned his face with a ghastly pang,
And cursed me with his eye.

Four times fifty living men,
(And I heard nor sigh nor groan)
With heavy thump, a lifeless lump,
They dropped down one by one.

The souls did from their bodies fly, -
They fled to bliss or woe!
And every soul it passed me by,
Like the whizz of my crossbow!"


Part IV

`I fear thee, ancient Mariner!
I fear thy skinny hand!
And thou art long, and lank, and brown,
As is the ribbed sea-sand.

I fear thee and thy glittering eye,
And thy skinny hand, so brown.' -
"Fear not, fear not, thou Wedding-Guest!
This body dropped not down.

Alone, alone, all, all alone,
Alone on a wide wide sea!
And never a saint took pity on
My soul in agony.

The many men, so beautiful!
And they all dead did lie;
And a thousand thousand slimy things
Lived on; and so did I.

I looked upon the rotting sea,
And drew my eyes away;
I looked upon the rotting deck,
And there the dead men lay.

I looked to heaven, and tried to pray;
But or ever a prayer had gusht,
A wicked whisper came and made
My heart as dry as dust.

I closed my lids, and kept them close,
And the balls like pulses beat;
Forthe sky and the sea, and the sea and the sky,
Lay like a load on my weary eye,
And the dead were at my feet.

The cold sweat melted from their limbs,
Nor rot nor reek did they:
The look with which they looked on me
Had never passed away.

An orphan's curse would drag to hell
A spirit from on high;
But oh! more horrible than that
Is the curse in a dead man's eye!
Seven days, seven nights, I saw that curse,
And yet I could not die.

The moving moon went up the sky,
And no where did abide:
Softly she was going up,
And a star or two beside -

Her beams bemocked the sultry main,
Like April hoar-frost spread;
But where the ship's huge shadow lay,
The charmed water burnt alway
A still and awful red.

Beyond the shadow of the ship
I watched the water-snakes:
They moved in tracks of shining white,
And when they reared, the elfish light
Fell off in hoary flakes.

Within the shadow of the ship
I watched their rich attire:
Blue, glossy green, and velvet black,
They coiled and swam; and every track
Was a flash of golden fire.

O happy living things! no tongue
Their beauty might declare:
A spring of love gushed from my heart,
And I blessed them unaware:
Sure my kind saint took pity on me,
And I blessed them unaware.

The selfsame moment I could pray;
And from my neck so free
The Albatross fell off, and sank
Like lead into the sea."


Part V

"Oh sleep! it is a gentle thing,
Beloved from pole to pole!
To Mary Queen the praise be given!
She sent the gentle sleep from heaven,
That slid into my soul.

The silly buckets on the deck,
That had so long remained,
I dreamt that they were filled with dew;
And when I awoke, it rained.

My lips were wet, my throat was cold,
My garments all were dank;
Sure I had drunken in my dreams,
And still my body drank.

I moved, and could not feel my limbs:
I was so light -almost
I thought that I had died in sleep,
And was a blessed ghost.

And soon I heard a roaring wind:
It did not come anear;
But with its sound it shook the sails,
That were so thin and sere.

The upper air burst into life!
And a hundred fire-flags sheen,
To and fro they were hurried about!
And to and fro, and in and out,
The wan stars danced between.

And the coming wind did roar more loud,
And the sails did sigh like sedge;
And the rain poured down from one black cloud;
The moon was at its edge.

The thick black cloud was cleft, and still
The moon was at its side:
Like waters shot from some high crag,
The lightning fell with never a jag,
A river steep and wide.

The loud wind never reached the ship,
Yet now the ship moved on!
Beneath the lightning and the moon
The dead men gave a groan.

They groaned, they stirred, they all uprose,
Nor spake, nor moved their eyes;
It had been strange, even in a dream,
To have seen those dead men rise.

The helmsman steered, the ship moved on;
Yet never a breeze up blew;
The mariners all 'gan work the ropes,
Where they were wont to do;
They raised their limbs like lifeless tools -
We were a ghastly crew.

The body of my brother's son
Stood by me, knee to knee:
The body and I pulled at one rope,
But he said nought to me."

`I fear thee, ancient Mariner!'
"Be calm, thou Wedding-Guest!
'Twas not those souls that fled in pain,
Which to their corses came again,
But a troop of spirits blest:

For when it dawned -they dropped their arms,
And clustered round the mast;
Sweet sounds rose slowly through their mouths,
And from their bodies passed.

Around, around, flew each sweet sound,
Then darted to the sun;
Slowly the sounds came back again,
Now mixed, now one by one.

Sometimes a-dropping from the sky
I heard the skylark sing;
Sometimes all little birds that are,
How they seemed to fill the sea and air
With their sweet jargoning!

And now 'twas like all instruments,
Now like a lonely flute;
And now it is an angel's song,
That makes the heavens be mute.

It ceased; yet still the sails made on
A pleasant noise till noon,
A noise like of a hidden brook
In the leafy month of June,
That to the sleeping woods all night
Singeth a quiet tune.

Till noon we quietly sailed on,
Yet never a breeze did breathe;
Slowly and smoothly went the ship,
Moved onward from beneath.

Under the keel nine fathom deep,
From the land of mist and snow,
The spirit slid: and it was he
That made the ship to go.
The sails at noon left off their tune,
And the ship stood still also.

The sun, right up above the mast,
Had fixed her to the ocean:
But in a minute she 'gan stir,
With a short uneasy motion -
Backwards and forwards half her length
With a short uneasy motion.

Then like a pawing horse let go,
She made a sudden bound:
It flung the blood into my head,
And I fell down in a swound.

How long in that same fit I lay,
I have not to declare;
But ere my living life returned,
I heard and in my soul discerned
Two voices in the air.

`Is it he?' quoth one, `Is this the man?
By him who died on cross,
With his cruel bow he laid full low
The harmless Albatross.

The spirit who bideth by himself
In the land of mist and snow,
He loved the bird that loved the man
Who shot him with his bow.'

The other was a softer voice,
As soft as honey-dew:
Quoth he, `The man hath penance done,
And penance more will do.'


Part VI

First Voice

But tell me, tell me! speak again,
Thy soft response renewing -
What makes that ship drive on so fast?
What is the ocean doing?

Second Voice

Still as a slave before his lord,
The ocean hath no blast;
His great bright eye most silently
Up to the moon is cast -

If he may know which way to go;
For she guides him smooth or grim.
See, brother, see! how graciously
She looketh down on him.

First Voice

But why drives on that ship so fast,
Without or wave or wind?

Second Voice

The air is cut away before,
And closes from behind.

Fly, brother, fly! more high, more high!
Or we shall be belated:
For slow and slow that ship will go,
When the Mariner's trance is abated.

"I woke, and we were sailing on
As in a gentle weather:
'Twas night, calm night, the moon was high;
The dead men stood together.

All stood together on the deck,
For a charnel-dungeon fitter:
All fixed on me their stony eyes,
That in the moon did glitter.

The pang, the curse, with which they died,
Had never passed away:
I could not draw my eyes from theirs,
Nor turn them up to pray.

And now this spell was snapped: once more
I viewed the ocean green,
And looked far forth, yet little saw
Of what had else been seen -

Like one that on a lonesome road
Doth walk in fear and dread,
And having once turned round walks on,
And turns no more his head;
Because he knows a frightful fiend
Doth close behind him tread.

But soon there breathed a wind on me,
Nor sound nor motion made:
Its path was not upon the sea,
In ripple or in shade.

It raised my hair, it fanned my cheek
Like a meadow-gale of spring -
It mingled strangely with my fears,
Yet it felt like a welcoming.

Swiftly, swiftly flew the ship,
Yet she sailed softly too:
Sweetly, sweetly blew the breeze -
On me alone it blew.

Oh! dream of joy! is this indeed
The lighthouse top I see?
Is this the hill? is this the kirk?
Is this mine own country?

We drifted o'er the harbour-bar,
And I with sobs did pray -
O let me be awake, my God!
Or let me sleep alway.

The harbour-bay was clear as glass,
So smoothly it was strewn!
And on the bay the moonlight lay,
And the shadow of the moon.

The rock shone bright, the kirk no less,
That stands above the rock:
The moonlight steeped in silentness
The steady weathercock.

And the bay was white with silent light,
Till rising from the same,
Full many shapes, that shadows were,
In crimson colours came.

A little distance from the prow
Those crimson shadows were:
I turned my eyes upon the deck -
Oh, Christ! what saw I there!

Each corse lay flat, lifeless and flat,
And, by the holy rood!
A man all light, a seraph-man,
On every corse there stood.

This seraph-band, each waved his hand:
It was a heavenly sight!
They stood as signals to the land,
Each one a lovely light;

This seraph-band, each waved his hand,
No voice did they impart -
No voice; but oh! the silence sank
Like music on my heart.

But soon I heard the dash of oars,
I heard the Pilot's cheer;
My head was turned perforce away,
And I saw a boat appear.

The Pilot and the Pilot's boy,
I heard them coming fast:
Dear Lord in heaven! it was a joy
The dead men could not blast.

I saw a third -I heard his voice:
It is the Hermit good!
He singeth loud his godly hymns
That he makes in the wood.
He'll shrieve my soul, he'll wash away
The Albatross's blood."


Part VII

"This Hermit good lives in that wood
Which slopes down to the sea.
How loudly his sweet voice he rears!
He loves to talk with marineers
That come from a far country.

He kneels at morn, and noon, and eve -
He hath a cushion plump:
It is the moss that wholly hides
The rotted old oak-stump.

The skiff-boat neared: I heard them talk,
`Why, this is strange, I trow!
Where are those lights so many and fair,
That signal made but now?'

`Strange, by my faith!' the Hermit said -
`And they answered not our cheer!
The planks looked warped! and see those sails,
How thin they are and sere!
I never saw aught like to them,
Unless perchance it were

Brown skeletons of leaves that lag
My forest-brook along;
When the ivy-tod is heavy with snow,
And the owlet whoops to the wolf below,
That eats the she-wolf's young.'

`Dear Lord! it hath a fiendish look -
(The Pilot made reply)
I am afeared' -`Push on, push on!'
Said the Hermit cheerily.

The boat came closer to the ship,
But I nor spake nor stirred;
The boat came close beneath the ship,
And straight a sound was heard.

Under the water it rumbled on,
Still louder and more dread:
It reached the ship, it split the bay;
The ship went down like lead.

Stunned by that loud and dreadful sound,
Which sky and ocean smote,
Like one that hath been seven days drowned
My body lay afloat;
But swift as dreams, myself I found
Within the Pilot's boat.

Upon the whirl where sank the ship
The boat spun round and round;
And all was still, save that the hill
Was telling of the sound.

I moved my lips -the Pilot shrieked
And fell down in a fit;
The holy Hermit raised his eyes,
And prayed where he did sit.

I took the oars: the Pilot's boy,
Who now doth crazy go,
Laughed loud and long, and all the while
His eyes went to and fro.
`Ha! ha!' quoth he, `full plain I see,
The Devil knows how to row.'

And now, all in my own country,
I stood on the firm land!
The Hermit stepped forth from the boat,
And scarcely he could stand.

O shrieve me, shrieve me, holy man!
The Hermit crossed his brow.
`Say quick,' quoth he `I bid thee say -
What manner of man art thou?'

Forthwith this frame of mine was wrenched
With a woeful agony,
Which forced me to begin my tale;
And then it left me free.

Since then, at an uncertain hour,
That agony returns;
And till my ghastly tale is told,
This heart within me burns.

I pass, like night, from land to land;
I have strange power of speech;
That moment that his face I see,
I know the man that must hear me:
To him my tale I teach.

What loud uproar bursts from that door!
The wedding-guests are there:
But in the garden-bower the bride
And bride-maids singing are;
And hark the little vesper bell,
Which biddeth me to prayer!

O Wedding-Guest! this soul hath been
Alone on a wide wide sea:
So lonely 'twas, that God himself
Scarce seemed there to be.

O sweeter than the marriage-feast,
'Tis sweeter far to me,
To walk together to the kirk
With a goodly company! -

To walk together to the kirk,
And all together pray,
While each to his great Father bends,
Old men, and babes, and loving friends,
And youths and maidens gay!

Farewell, farewell! but this I tell
To thee, thou Wedding-Guest!
He prayeth well, who loveth well
Both man and bird and beast.

He prayeth best, who loveth best
All things both great and small;
For the dear God who loveth us,
He made and loveth all."

The Mariner, whose eye is bright,
Whose beard with age is hoar,
Is gone; and now the Wedding-Guest
Turned from the bridegroom's door.

He went like one that hath been stunned,
And is of sense forlorn:
A sadder and a wiser man
He rose the morrow morn.